Tuesday, March 4, 2008

Samael

Samael





Switzerland's Samael has evolved from a mine run bleak alloy band into one of Europe's virtually original and innovational metallic element bands by introducing industrial, gothic, and infinite other influences into their extreme sound.



Formed in the late '80s by Vorphalack (guitars/vocals), Xytras (drums/keyboards), and bassist Masmiseim, Samael was heavily influenced by first-generation bleak alloy bands such as England's Venom and Swiss compatriots Celtic Frost. An super raw, self-financed EP called Medieval Prophecy caught the attention of French-based Osmose Records, which agreed to press release the band's first base full-length record album, Worship Him, in 1991. The record's poor production values and unremarkable black alloy did little for the isthmus, just the following year's much more mature Blood Ritual was another chronicle. The album found Samael incorporating keyboards and different guitar textures to their good, and a permanent keyboard player (Rodolphe H.) was drafted presently after.



After sign language with the Century Media mark, the stria returned to the studio with noted black alloy manufacturer Waldemar Sorychta (noted for his crop with Tiamat) to record 1994's impressive Ceremonial occasion of Opposites. Samael began to find their unique voice on this record, combine swirling keyboard melodies with their brutal guitar attempt to create what they called "grisly operettas." The bet were raised even higher on 1996's groundbreaking ceremony Passage, which saw Xytras (today plainly Xy) pickings over keyboard duties as well as programing all his drum tracks. This unlawful mix of opprobrious metallic element savagery and synthesizers resulted in one of the decade's most original and extreme alloy releases, and was followed by blanket touring (including the band's first American shows). After producing deuce albums by labelmates Rotting Christ, Xy reconvened the group to criminal record 1999's Eternal, with extra guitar player Kaos. The album contains even bolder experiments with applied science and confirmed the band's position as forerunners in their field.






Albums of Samael




Top albums of Solar Soul (Ltd. Edition)





Year 2007, tracks 11






Top albums of Era One





Year 2006, tracks 10






Top albums of Lesson In Magic #1





Year 2006, tracks 9






Top albums of Reign Of Light





Year 2004, tracks 11






Top albums of Telepath





Year 2004, tracks 5






Top albums of Eternal





Year 1999, tracks 12







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Wednesday, February 27, 2008

Laura Fygi

Laura Fygi





Although Dutch vocalist Laura Fygi ab initio garnered notice as a member of the disco chemical group Centerfold, after setting out in 1992 as a solo performing artist she pursued a more jazz-inspired way with her debut try Introducing Laura Fygi. On subsequent efforts including 1993's Bewitched and the following year's The Lady Wants to Know, she collaborated with figures including Johnny Griffin, Toots Thielemans and Clark Terry, and in 1997 Fygi worked with one of her idols, the big composer Michel Legrand, on Look on What Happens.






Albums of Laura Fygi




Top albums of The Very Best Time Of Year





Year 2004, tracks 13






Top albums of The Lady Wants to Know





Year 1994, tracks 13




Saturday, February 23, 2008

Elis Regina

Elis Regina





Temperamental and moody, capable of fits of extreme unselfishness that could quickly turn into moments of rage-filled paranoia, Elis Regina was one of the to the highest degree fiercely gifted singers to emerge from Brazil. A perfectionist wHO was oftentimes dissatisfied, Regina drove herself and members of her band unrelentingly, preeminent to her beingness dubbed "Hurricane" and "Niggling Pepper" by musicians and music journalists. Her angry nature aside, she commanded the regard of Brazil's leading songwriters, wHO lined up for the fortune to have her record book one of their songs, and for lots of her short aliveness was the country's most popular distaff vocaliser.



Born Elis Regina Carvalho Costa in Porto Alegre in 1945 to a wage-earning family unit, Regina began tattle professionally at age 12 on a children's tv set record called Clube de Guri. For the adjacent two age she was a regular performing artist on the programme and became a local celebrity. It was during this period that she sign-language her number one recording contract at the age of 13. At 15 she relocated to Rio de Janeiro, where she recorded the first of terzetto records, reversive to Porto Alegre between each. Her initial recordings sold advantageously and she was shortly a teenaged star, as well as the family's school principal breadwinner. In 1963, at the historic period of 18, Regina and her male parent, in a move intentional to further her calling, resettled to Rio. Unfortunately, it was around this time that a military junta took o'er control of the state.



Non long after her move to Rio, Regina became a fixture on Brazilian variety shows. Although the cool, supple, jazzy bossa nova sound was in style at the time, Regina preferred more strident rhythms and full-throated tattle. Adding to this was her dynamic, unsophisticated stage presence (which belied a career-long conflict against near-paralytic stage fearfulness) that, in American terms, might be topper silent if one thinks of the tornado-like force that Janis Joplin could let loose. In 1965, Regina sang the controversial (and almost censored) vocal "Arrastao" at Rio's offset big popular music festival. In a performance that whitethorn good get been the defining moment of her career, she posed in Christ-like excruciation, crying streaming down her human face at the song's conclusion. From that present moment on, her popularity rocketed; she went from existence one of many successful Brazilian singers to the nearly pop and highest-paid isaac Merrit Singer in the nation -- at the eld of 21.



Although non as overtly political as other singer/songwriters of her contemporaries (e.g., Caetano Veloso, Gilberto Gil), Regina was non shy around criticizing Brazil's military rule. While touring Europe in 1969 she told a journalist that her rural area was "existence run by guerrillas." Normally this sentiment would lead to either jailhouse or expatriate (or both in the case of Gil and Veloso), but Regina's tremendous popularity protected her jolly from whatever world political science revenge. However, the military junta victimised more insidious strong-arm tactic, such as forcing her to sing the Brazilian national anthem at a ceremony to lionize the day of remembrance of the country's "independence." She was roundly attacked by collectivist performers for such a public show of pro-government sentiment, and it was days later that her married man revealed that she was threatened with poky if she did not follow with the government's wishes. As the mother of a brigham Young baby at the time, Regina could non afford to become a martyr.



Regina's calling showed no signs of retardation as the seventies came to a come together; some of her best records were recorded during this time, and one album simply called Elis & Tom (recorded in Los Angeles with Antonio Carlos Jobim) has been called by many journalists and musicians matchless of the superlative Brazilian pop out records always made. However, patch her life history was in total sway, her personal life was in disarray -- 2 marriages terminated in split up, and she was nurture trey children as well as providing for her parents. In the late '70s, after the end of her arcsecond marriage, she began using cocaine regularly, just managed to maintain her increasing habituation on the drug well secret from her friends and kinfolk. Regina began 1982 by marrying for a third time, signing a new recording shorten, and in ecumenical, planning for the future. All of this came to a hold on January 19, 1982, when she was found dead of inebriant and cocain toxic condition at old age 36. Initially, her decease was rumored to be a felo-de-se, but thither is no grounds indicating that it was anything more than than a tragic accident.



A few years afterwards her death, a memorial concert was held in São Paulo featuring many of Brazil's nearly notable singers. Over one C,000 grieving Brazilians came to pay their final respects to this gifted, fickle isaac Bashevis Singer world Health Organization remains as popular after expiry as she was in life.






Albums of Elis Regina




Top albums of Ao Vivo





Year 2003, tracks 15






Top albums of Perfil





Year 2003, tracks 16






Top albums of Transversal Do Tempo





Year 2003, tracks 10






Top albums of Gold





Year 2002, tracks 13






Top albums of No Fino Da Bossa ao Vivo, Vol. 2





Year 2002, tracks 12






Top albums of No Fino Da Bossa V.3





Year 2002, tracks 11




Wednesday, January 30, 2008

From Monument To Masses

From Monument To Masses





San Francisco's politically astute post-rock trio From Monument to Masses features Francis Choung, Matthew Solberg, and Sergio Robledo-Maderazo. The band formed in late 2000, when Solberg met Choung through an on-line bulletin card for local musicians. The twosome began playing together and affiliated with Robledo-Maderazo, wHO had attended UCSB when Choung was in that respect and was a reciprocal friend with Steve Aoki, the head of Dim Mak Records. The band's collaborative, experimental approach combines the unstable arrangements and structures of post-rock, the explosive flack and principled posture of old school hardcore and emo, and the members' political and social concerns; Choung and Robledo-Maderazo ar both Asian-American and their viewpoints heavily inform the band's music. In addition to their wreak with the band, Solberg is a painter and plays with a jazz-metal isthmus called the Mass, Choung deeds in tV and has a BA in photographic film studies, and Robledo-Maderazo likewise full treatment in graphic plan and multimedia system. From Monument to Masses' self-titled debut album appeared on Dim Mak in spring 2002; the banding followed it up the side by side year with The Impossible Leap in One Hundred Simple Steps.






Albums of From Monument To Masses




Top albums of Schools of Thought Contend





Year 2005, tracks 15






Top albums of The Impossible Leap in One H..





Year 2003, tracks 7






Top albums of The Impossible Leap in One Hundred Simple Steps





Year 2003, tracks 7






Top albums of From Monument To Masses





Year 2002, tracks 5